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The Editions also reflect the expertise gained through the regular performance of Shakespeare’s works in the Folger’s Elizabethan Theater.
I want to express my deep thanks to editors Barbara Mowat and Paul Werstine for creating these indispensable editions of Shakespeare’s works, which incorporate the best of textual scholarship with a richness of commentary that is both inspired and engaging.
After Don Pedro woos her in disguise for Claudio, the two young lovers plan to marry in a week.
To fill in the time until the wedding, Don Pedro and the others set about tricking Benedick and Beatrice into falling in love with each other.
The reader of the Folger Shakespeare knows where the text has been altered because editorial interventions are signaled by square brackets (for example, from Who hath relieved/you? At any point in the text, you can hover your cursor over a bracket for more information.
Because the Folger Digital Texts are edited in accord with twenty-first century knowledge about Shakespeare’s texts, the Folger here provides them to readers, scholars, teachers, actors, directors, and students, free of charge, confident of their quality as texts of the plays and pleased to be able to make this contribution to the study and enjoyment of Shakespeare.
Readers of the New Folger Editions are part of this ongoing process of “taking up Shakespeare,” finding our own thoughts and feelings in language that strikes us as old or unusual and, for that very reason, new.
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Until now, with the release of the Folger Digital Texts, readers in search of a free online text of Shakespeare’s plays had to be content primarily with using the Moby™ Text, which reproduces a late-nineteenth century version of the plays. Many ordinary readers assume that there is a single text for the plays: what Shakespeare wrote.
But Shakespeare’s plays were not published the way modern novels or plays are published today: as a single, authoritative text.
With Hero in hiding and falsely reported dead, Beatrice persuades Benedick to fight Claudio.